“We learn how to be mad, the same way we learn how to be male or female, or how we learn how to participate in society.” On fads and mental illness.
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)