Out this week: Young Skins by Colin Barrett; Decoy by Allan Gurganus; The Unloved by Deborah Levy; Aquarium by David Vann; The Sellout by Paul Beatty; Crow Fair by Thomas McGuane; and Kazuo Ishiguro's first new novel in ten years (which our own Lydia Kiesling reviewed yesterday). For more on these and other new titles, check out our Great 2015 Book Preview.
“Poetry is not connected to my professional work - it is my personal world," says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov's Speak, Memory and considers "the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order." Pair with our own Garth Risk Hallberg's piece on reading Ada, or Ardor.
Ukraine is investing approximately $61 million in order to “bolster [the nation’s] reading, publishing and bookselling beginning in 2014 and lasting through 2018.” One concern held by Ukranian literati is the rapidly expanding influx of Russian writing, which some claim have been “push[ing] books from Ukrainian publishers and authors off the shelves.” Meanwhile, Russia recently announced a $100 million stimulus package for its own book industry.
New this week: Academy Street by Mary Costello; The Children’s Crusade by Ann Packer; After the Tall Timber by Renata Adler; Recipes for a Beautiful Life by Rebecca Barry; A Slant of Light by Jeffrey Lent; The Water Museum by Luis Alberto Urrea; All Involved by Ryan Gattis; Odysseus Abroad by Amit Chaudhuri; The Language of Paradise by Barbara Klein Moss; and Ashes in My Mouth, Sand in My Shoes and I Refuse, two books by Per Petterson. For more on these and other new titles, check out our Great 2015 Book Preview.