Evan Hughes investigates the formulation of such writers as Jeffrey Eugenides, Jonathan Franzen, and David Foster Wallace. He claims they and their generation “had youths tangled enough for ten novels.”
Tangled Youths
Activist Art
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
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Tuesday New Release Day: Larson, Nesbø, Brown, Earle, Udall, Marlantes
Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown’s latest, Paying for It is out, and musician and actor Steve Earle can now add “novelist” to his resume with the release of I’ll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall’s The Lonely Polygamist and Karl Marlantes’s Matterhorn.
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Tuesday New Release Day: Minot; Antopol; Cameron; de Botton; Troy; Wolf; Cotter; Conde
Out this week: Thirty Girls by Susan Minot; The UnAmericans by Molly Antopol; The Bear by Claire Cameron; The News: A User’s Manual by Alain de Botton; The Quiet Streets of Winslow by Judy Troy; a new translation of August by Christa Wolf; The Parallel Apartments by Bill Cotter; and The Journey of a Caribbean Writer by Maryse Condé. For more on these and other new releases, check out our Great 2014 Book Preview.
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The Sentences of one ZS.
Last night I went to see Zadie Smith read and chat at Toronto’s Harbourfront Centre. I wrote a little #LitBeat about it, which makes it officially NW day at The Millions, given today’s main page review.
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Where We Read
From German photographer Christoph Seelbach, 24 jaw-dropping photographs of incredible libraries.
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From Kerouac to Brando
“Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal… I’ll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation…” From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)
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Thanks for linking to this fantastic article! What an interesting back story of these authors before (and after) they made it.