Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.
Courtney Traub talks with Kevin Begos, Jr, publisher of Agrippa, a Book of the Dead, a 1992 book that contains an encrypted poem by William Gibson set to self-erase after a single reading. Begos explains his intentions when creating the book, and Traub recounts the difficulties Oxford recently had when deciding how to archive a work that deliberately resists preservation. Gibson’s newest book, Distrust That Particular Flavor, made our list of the most anticipated releases of 2012. Also don’t forget to read our review of Gibson’s 2010 novel, Zero History.
Some of Jeff Tweedy‘s favorite writers: “I like Henry Miller a lot. I like William H. Gass a lot. Donald Barthelme, Robert Coover, Kurt Vonnegut. . . . I used to walk into bookstores when I was a kid and get the stuff that looked the craziest and the most free.” (In a Rolling Stone interview, unavailable online.)
Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.