Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
“This is how he justified what he did even as he knew what kind of parent he’d become, the kind that used to make him gag as recently as two months ago. The ones who blithely assumed their online friends were gluttons for punishment. Here’s my baby lying on his back! And here’s my baby also lying on his back! And how about this one: blurry baby on his back! Good God, the vanity of it all, the epic self-centeredness. He knew all this, and still he uploaded eleven pictures of Brian.” An excerpt of Victor LaValle’s new novel The Changeling. (You could also read our interview with the author from last year.)
Getting sick of people who overuse the word “literally”? A new browser extension kindly replaces instances of the word with “figuratively.” At Slate, Will Oremus tries out a godsend for pedants. (A Millions piece by Fiona Maazel nicely complements his article.)
We get it, you’re into finance — but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: “The act of imagining the future in finance goes by other names—’vision’ and ‘invention’ are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be ‘scientific,’ fantasy and creativity in envisioning the future are often ignored; they don’t fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible.”
“In Go Home! — a collection that feels particularly timely in the midst of attacks on immigrant families and communities — Asian diasporic writers are both thoughtful and generous in their reflections about who they are, where they have been, and where they belong.” For Shondaland, Nicole Chung interviewed Rowan Hisayo Buchanan, the anthology’s editor, and a few contributors (including Alexander Chee, Karissa Chen, T Kira Madden, and Esmé Weijun Wang) about what home means to them. Pair with: our review of Chee’s The Queen of the Night and Wang’s 2016 Year in Reading entry.