In a piece with which our own Mark O’Connell probably agrees, Tim Parks explains the Nobel Prize for Literature’s inherent silliness.
Silly Prizes
Much Better Than Downton Abbey, I Promise.
When you woke up this morning, did you say to yourself, “I wish I could listen to a bunch of lectures from the University of Texas’ British Studies curriculum?” If so, you’re in luck.
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“Perhaps James Franco should just stick to acting.”
“Oh, thank goodness,” said Guy Fieri, as he read the New York Times’s review of James Franco’s photography exhibit. “Their review of my restaurant is no longer the most gleefully negative thing they’ve published.”
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Parsing the Subtext
Web 3.0: How Do We Pay for This?
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
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