In a piece with which our own Mark O’Connell probably agrees, Tim Parks explains the Nobel Prize for Literature’s inherent silliness.
Silly Prizes
Tuesday New Release Day: Pollan, Sedaris, Stelter, Currey, Thompson, Stothard, Rutherfurd, Wecker, Riley
The headliners this week are on the non-fiction side: Michael Pollan's Cooked and Let's Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times' Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
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Fitzgerald Uncensored
F. Scott Fitzgerald was too provocative even for the 1920s. His short story collection Taps at Reveille was never published the way he wanted it to be. When the stories came out in The Sunday Evening Post in the 1920s and '30s, all slang, slurs, and sexual innuendo were edited out. Now, almost a century later, we can read Fitzgerald's original work in a new Cambridge edition.
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Tuesday New Release Day: Marcus, Gass, O’Nan, Cole
New this week are The Flame Alphabet by Ben Marcus, a collection of William H. Gass's writings, Life Sentences: Literary Judgments and Accounts, and Stewart O'Nan's The Odds: A Love Story. New in paperback is Teju Cole's Open City.
Lost and Found and Lost
Recommended Reading: On translation and Máirtín Ó Cadhain, author of Cré na Cille, which is widely believed to be the greatest Irish-language novel of the twentieth century.
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I Am Not Elena Ferrante
No surprise here -- Elena Ferrante fever continues to sweep the literary world. Last week, an Italian historian was forced to deny claims that she was actually the Neapolitan novelist. Now, The Guardian takes a look at the unique history of pseudonyms and posits whether Ferrante's mystery might outlast some famous historical masqueraders. For the unacquainted, here's a quick piece on reading Italy through Ferrante's work.
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Whatever was wrong with Hemingway
In the wake of Jonathan Franzen's much discussed New Yorker essay on Edith Wharton, Laura Miller defends readers who look to an author's life to aid their understanding of a given work: " Byron’s clubfoot, Flannery O’Connor’s lupus, Coleridge’s opium addiction and whatever was wrong with Hemingway do interest many readers because these factors shaped the life experiences from which the great work sprang."