The Onion‘s tired of incendiary comments left by trolls reading their articles. (Who isn’t?) So the publication has created Outkube, a “decoy website” rife with troll-bait. It’s hysterical. Elsewhere, they’ve started curating a list of people who just don’t get the joke.
In anticipation of their 30 Below Story Contest, Narrative Magazine is highlighting work published on their site by writers under 30. Today my story, “I am the Lion Now,” has been added to the list.
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.
Electric Literature just launched a new experiment with Israeli writer Alex Epstein. Epstein published his latest collection of “micro-fiction” for free on Facebook, and he wrote about the experiment on the Electric Literature blog. For the next week, Electric Literature will be publishing a sample of translations from his collection on their Facebook page.
The first images from Joe Wright’s Anna Karenina motion picture adaptation are now online. Behold Keira Knightley as Anna, and Jude Law as Alexei! The film will release in the UK on September 7th.
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
“The Disney character I most strongly identify with is the Beast before he learns how not to emotionally attack everyone around him, so.” Over at The Toast, Mallory Ortberg tells us why she is the perfect candidate for the job of Fisher King. T.S. Eliot would be proud. Or likely horrified.