“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.
When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
“Samuel Greenberg belongs in the pantheon of literary manqués,” writes Jacob Silverman. The poet was a favorite of Hart Crane, who described him as “a Rimbaud in embryo.” But did Crane take his adoration too far? Did he in fact “remix,” re-purpose, or plagiarize some of Greenberg’s work?
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
All three Brontë sisters – Charlotte, Emily, and Anne – will be the subject of a new “blockbuster biopic,” reports Telegraph & Argus. An announcement about the cast and crew will be made on April 21, 2016 – the 200th anniversary of Charlotte’s birth date – but early speculation indicates that Harry Potter star Rupert Grint may play Branwell.
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.