On a more optimistic note, New Directions, New York City’s inestimable and long struggling (but “long dazzling!”) publishing house, will be throwing itself a 75th birthday party on Thursday, October 27. (They just redesigned their website and colophon, too.)
The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.
In the past few years, we’ve seen a swell of books that focus on female friendship. The newfound popularity of writers like Elena Ferrante has given us a new wealth of books that explore this kind of relationship. At Salon, Dear Thief author Samantha Harvey examines why this is, as part of a larger discussion about her own novel and the literary landscape. You could also read our review of Harvey’s earlier novel The Wilderness.
Jonathan Safran Foer has recruited Jonathan Franzen to write one of Chipotle’s illustrated essays on their paper cups and take-out bags (which we've written about before). As Franzen explains it, “Chipotle store credit was a decisive factor. Chipotle is my go-to fast food restaurant. I also admire its wish to be a good corporate citizen.”
British novelist Elizabeth Jane Howard has died at the age of 90. She was famous for The Cazalet Chronicles and her literary love affairs with Kingsley Amis (one of her three husbands), Cecil Day-Lewis, and Arthur Koestler. Despite that her writing career spanned 60 years, she admitted that she found writing frightening in a recent interview. "You’ve got to be pretty nervous about the challenge, the blank page – anything could be on it, it could be crap or it could be wonderful."
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert "Mack" McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”