“I discovered that stealing required a loose, casual energy,” writes Miranda July. “A sort of oneness with the environment, like surfing or horse-whispering.”
Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.
Over at Brooklyn Magazine, Molly McArdle writes on J.K. Rowling’s ever-expanding universe. As she puts it, “New canonical information flows from: Pottermore, the fictional universe’s official website; Rowling’s Twitter account; interviews; a forthcoming movie trilogy; and now two plays, Harry Potter and the Cursed Child, produced in tandem in London with scripts available for sale in a single volume worldwide. This is Harry Potter’s long, strange afterlife. Or maybe it’s more like an undeath.” Pair with Janet Manley’s Millions essay on The Cursed Child and British humiliation.
If you thought the English language went downhill when the emoticon was introduced, you can blame a 17th-century poet. Editor Levi Stahl found that English poet Robert Herrick used the first emoticon in his 1648 poem “To Fortune.” As Herrick writes, “Tumble me down, and I will sit/ Upon my ruines (smiling yet :)” For more on the potential ruin of language, read Fiona Maazel’s piece on commercial grammar.
The sports world lost a legend this week in Joe Frazier. In honor of Smokin’ Joe’s indelible mark on the sport of boxing, Byliner has gathered thirteen great stories on the sweet science. Also worth reading is George Plimpton‘s classic Sports Illustrated story on the Frazier vs. George Foreman fight in Kingston.