Does Washington D.C. still have enough revolutionary spirit to drive the Occupy movement to the impossible-to-ignore phase of Resurrection City? Even after Martin Luther King Jr.’s death, his message of economic equality presses on.
Martin Luther King Jr.’s Occupy Lessons
Mapping the Territory
"No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them," Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Lux Fiat
“Language is more direct, open, unself-conscious, precise, and human. It doesn’t belong to me anymore but to the atmosphere, and this makes me happy.” Henri Cole on having his poetry projected onto buildings by Jenny Holzer.
●
●
Chabon: Friend to the Geeks
You may not know this, but Michael Chabon co-wrote the script for Disney's latest blockbuster, Shirtless Martian Tim Riggins John Carter. In an interview with Wired, Chabon defends genre-writing, and also talks about his sci-fi influences.
●
●
Everybody Kafkas
It’s hard work writing Kafka stories appropriate for children, but a guy named Matthue Roth is willing to do it.
Uprooted
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
●
●
Making a Living
Alice Driver writes for Vela about growing up in Arkansas and becoming an artist. As she explains it, “Because I have no debt, I have been able to pursue writing and have had the opportunity to fail time and again.” Pair with Kate Angus’s Millions essay on making a living as a poet.
●
●