Paris Review editor Lorin Stein recommends a couple of self-help books to one reader in this week’s mail blog. “Let your self-help freak flag fly!” he writes. Such might put you in esteemed company. As Maria Bustillos pointed out in her poignant investigation for The Awl, David Foster Wallace treasured many self help books.
Literary Self-Help
Tuesday New Release Day: Salter, Atkinson, Maazel, Kushner, Shearn, Rich, Perisic
New this week: All That Is by James Salter, Life After Life by Kate Atkinson, Woke Up Lonely by Fiona Maazel, The Flamethrowers by Rachel Kushner, The Mermaid of Brooklyn by Amy Shearn, The Odds Against Tomorrow by Nathaniel Rich, and Our Man in Iraq by Robert Perisic.
The Lines Between Us
“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
●
●
John Jeremiah Sullivan Reads
John Jeremiah Sullivan's NY Times essay "You Blow My Mind. Hey, Mickey!" was a big hit last June. Next October, FSG will publish Pulphead, his second collection of essays. To tide you over until then, you can listen to The Paris Review's Southern Editor read an excerpt from his Disney piece.
●
●
Steve Jobs’s Big-Screen Biopic
After buying the rights to Walter Isaacson's authorized biography, makers of The Social Network plan a big-screen biopic of Steve Jobs's life.
●
●
How Many Loans Did This Take?
Meet Michael Nicholson, the 71-year-old Michigan man who’s earned 29 college degrees. I guess somebody hasn’t read the latest issue of n+1.
“You are saying you do not exist in the American dream except as a nightmare.”
Make some time this weekend to read James Baldwin and Audre Lorde in conversation, which originally appeared in a 1984 issue of Essence, but has since been reposted by the Museum of Contemporary African Diasporan Arts.
●
●