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How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful -- she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung's essay on literary endings.)

This week in book-related infographics, round 2: Lapham's Quarterly takes a look at the day jobs of famous authors, among them T.S. Eliot, who was responsible for processing reports on German debt, and Charlotte Bronte, who had laundry fees deducted from her pay. Pair with our own Emily St. John Mandel's essay on "Working the Double Shift" and "all the strangely varied occupations that a person accumulates when the primary objective is not to establish a career, per se, but just to pay the rent while they’re working on a novel."

He's the world's most wanted fugitive, yet somehow the man wearing the red-striped shirt and nerd glasses escaped us until now. Yes, we're talking about Where's Waldo? At Slate, Ben Blatt found Waldo's pattern, so you can spot him every time and impress your relatives this holiday season.

A few rare stolen manuscripts from the New York Public Library have been the subject of a court case. Melville House covers the progression of the case so far. Travis McDade writes about rare book crime capers in the recent past for The Millions.

For The Guardian, Rafia Zakaria writes on the new wave of confessional “feminist” memoirs. As she puts it, “We’re on an uncomfortable tightrope between a bold new dialogue about women and sex, and the monetisation of that conversation by powers that recognise that as a gap in the market.” Pair with this Millions essay on feminist pop anthems.