New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
Jonathan Franzen’s Kraus Project should be “a match made in heaven,” writes Jacob Mikanowski, because of how it pairs together “the old hater [Karl Kraus] and the new [Franzen], the Butch Cassidy and Sundance Kid of cultural criticism drawn together across the gulf of a century to take on all comers.” Alas, the end result is instead a “strange and rather discordant experience, like receiving a deep tissue massage while being spat on from a great height.” (Bonus: One of the best London Review of Books openers of all time.)
New this week: Stone Mattress: Nine Tales by Margaret Atwood; The Paying Guests by Sarah Waters; My Life as a Foreign Country by Brian Turner; Wallflowers by Eliza Robertson; On Bittersweet Place by Ronna Wineberg; Love Me Back by Merritt Tierce; In the Red by Elena Mauli Shapiro; and Wolf in White Van by John Darnielle of The Mountain Goats. For more on these and other new titles, go read our Great Second-half 2014 Book Preview.
Sometimes, Virginia Woolf took a break from her busy schedule of constant brilliance in order to write children’s stories for her nephews’ newspaper, The Charleston Bulletin. A taste: “When in a good and merry mood Trisy would seize a dozen eggs, and a bucket of flour, coerce a cow to milk itself, and then mixing the ingredients toss them 20 times high up over the skyline, and catch them as they fell in dozens and dozens and dozens of pancakes.”