The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.
What is the greatest crime in literary history? Depending on who you ask, it was probably the burning of Byron’s memoirs. Shortly after his death, three of Byron’s closest friends, along with a few attorneys representing family interests, decided that the memoirs were too scandalous to publish and thus tossed them bit by bit into a fireplace. They claim to have been acting in his best interest, and, as Byron himself said, “There is no instinct like that of the heart.”
The lineup for the 2013 PEN World Voices Festival of International Literature has been announced. The festival will commence on April 29th with a reading “about the notion of bravery” from three writers – including Millions contributor A. Igoni Barrett.
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.