Granta‘s “Horror” issue was published just in time for Halloween, and I can’t think of a better way to whet your appetite than to read Daniel Alarcón‘s “The Ground Floor.”
Granta’s Horror Issue
Help Save Langston Hughes’s Home
You can help preserve Langston Hughes’s home in Harlem through this Indiegogo campaign. Pair with our own Tess Malone’s review of Tambourines to Glory.
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“Cultivate Lightness”
What should you do if, horror of horrors, you find yourself appearing as a character in someone else’s book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? “Don’t read too much into it. Cultivate lightness.” Pair with our profile of Huneven, “Not Lost, Just Rearranged.”
“To look worse after a haircut”
Come on, admit it: you wish English speakers had a word for “one who shows up to a funeral for the food.”
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Milton’s Shakespearean Marginalia
In a copy of Shakespeare's first folio, researchers found a hand-written annotation by none other than Paradise Lost author John Milton.
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Tell Us a Story
Why do the British tell the best children’s stories? Perhaps because their culture has remained in touch with its pagan folklore, whereas in the United States, more pragmatic tales of morality, Christian obedience, and bootstrap-lifting rose to prominence. Also, picture books: general good thing for children or roadmap to total the moral collapse of society?
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Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
Sweet Mercy
A writer who calls himself the “Cal Ripken of turkey pardoning” reflects on the Presidential tradition. (If your curiosity extends to its history, you might like this rundown at Mental Floss.)