Apparently the idea that vampires and zombies aren’t real but serial killers are didn’t occur to anyone associated with the book, Gossip Girl, Psycho Killer.
“Maybe I [felt] a shift in responsibility when I had kids. I wanted the work I was doing, whatever it was, to be something that could be meaningful to them one day. That’s where the germ of the memoir came from. I thought that perhaps writing about my parents and where I came from would one day be helpful for my kids.” For Guernica, Christopher Kondrich interviews Tracy K. Smith about writing a memoir, the presence of David Bowie in her Life on Mars, and her reverence for the cosmic. Also check out Sophia Nguyen’s Millions review of Smith’s memoir, Ordinary Light.
Two Sides of the Book Biz in Britain: A small press specializing in works in translation is seeing success thanks to uniquely personal approach… while the big presses are teaming with supermarket chains in a race to the bottom.
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.