Daniel Soar takes a close look at what Google is searching for in its users.
Jonah Lehrer may not have exactly “self-plagiarized” his own work, but he certainly did recycle a good amount of his writing in a misleading way. And while many have criticized this kind of lazy writing, it’s worth revisiting Tim Requarth and Meehan Crist’s critical review of Lehrer’s book, Imagine, which plays a central role in this entire scandal.
John Steinbeck’s son criticizes the state of Texas for invoking Of Mice and Men‘s Lennie Small, in ruling that certain mentally retarded individuals can be sentenced to the death penalty. The great-great-great granddaughter of Herman Melville wonders where her great-great-great-grandfather’s editor was when he wrote Moby Dick.
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”