Spike Jonze and Olympia Le-Tan collaborate on a short, creepy, bookish sex romp, animated in felt and set in Shakespeare and Company. Via The Dish.
Felt Succeeds Where Words Fail
“A history of fire flooding and water flooding”
Not every Craigslist ad is noteworthy, but this property listing, titled “Gorgeous Rural Mountain Acreage” and hailing from Kentucky, is a notable (and sobering) exception. Full-Stop republished the whole thing, which includes warnings that “bears are known to be about” and “beautiful water seeps.”
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The Idealistic Hero
“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.
You Are Not the Reader
Whether it’s the new compound word “babymommas,” the Mortal Kombat reference, or the phrase “skeedaddle face smash,” I feel compelled to recommend to you this story in PANK, which takes the form of several letters addressed to Maury Povich.
10 Rules for Writers by Janet Fitch
“Write the sentence, not just the story” is the first of ten rules for writers from Janet Fitch.
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The Alphabet of Silence
Recommended Reading/Listening: Maia Evrona’s translation and recitation of a poem by Abraham Sutzkever, who has been called one of the primary poets of the Holocaust. Gabriel Brownstein’s essay for The Millions on what it means to be a “Jewish writer” is a good complementary piece.
How to Be A Writer
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.