A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
“What I’ve found is that a lot of soldiers are surprisingly apolitical. Their reality is, ‘Today I’m going to leave the gate for twelve hours, and I’m going to make it back to the dining facility by sundown with the arms and legs of me and my buddies intact.’ So you say, ‘Well, what about the Project for the New American Century and the preexisting agenda blah blah blah?’ They go, ‘Yeah, that’s cool, but I have to get through today.’ So their reality is not a political reality as much as it’s, ‘If I’m driving by this piece of garbage, will it blow up?'” Revisit this old interview with Henry Rollins over at Guernica Magazine, which manages the nearly impossible: to be both level-headed and political.
This week, New Directions offers up a collection that may offer some context to the Roberto Bolaño oeuvre. As the catalog copy suggests, “Between Parentheses collects most of the newspaper columns and articles Bolaño wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues.” Also out: Library of America does Kurt Vonnegut with Novels & Stories, 1963-1973; The Secret Knowledge: On the Dismantling of American Culture, a political tome by playwright David Mamet; and Incognito: The Secret Lives of the Brain by David Eagleman, the scientist and polymath who was recently profiled in the New Yorker.