“6 Reasons We’re In Another ‘Book-Burning’ Period In History” is not about the destruction of books based on content or community objections; it’s about the destruction of books because libraries (and sometimes bookstores) don’t know what to do with them. We also had a little something to say about the topic.
The internet has allowed self-publishing to become tremendously popular, but writers have been limited in their ability to create custom designed books. A new site called Blurb is offering book creation software that allows you to build your own book. Then they print it for you. It’s meant for creating a one off gift or keepsake, and the prices seem somewhat steep, but it’s probably better than what you would get from a professional print shop.The Bookfinder.com Journal discusses the US Copyright Office’s new report on orphan works (“Orphan works are copyrighted materials whose owners are difficult or impossible to locate, meaning they can no longer be purchased, reprinted, cited at length, or otherwise built upon. Books can get ‘orphaned’ for all sorts of reasons.”) New rules will hopefully make it easier to republish out of print work that has disappeared because copyright holders cannot be found.The Baltimore Sun reports on a man who tried to build his book collection by checking out more than 402 books on as many as 10 different library cards. The fine? Three years in prison.
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
“Starr-Starr, you do whatever they tell you to do,” he said. “Keep your hands visible. Don’t make any sudden moves. Only speak when they speak to you.” Read an excerpt from the Black Lives Matter–inspired YA novel The Hate U Give by A. C. Thomas, scheduled for release next June. See also some of our favorite writers on their favorite political writing, or our review of Nate Marshall’s poetry collection, Wild Hundreds, which critic Emmanuel N. Adolf Alzuphar called “the foremost articulation of contemporary blackness’s dynamism in literature.”
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.
What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.