A literature-loving dad tries to make sense of the new frontier: Digital books for kids.
If you have aspirations of the literary sort, I strongly recommend Dan Wickett’s interview with “founders, editors and managing editors of 8 Literary Journals of varying age and size.” And you should also look at the latest posts at Mad Max Perkins’ Book Angst in which hears from editors and publishing industry types about “the true meaning of midlist.”
“I don’t try to deliver a message, teach, inform or ‘give back’ in my books. I simply want to tell a story. My writing is totally separated from my activism and social service, which are channeled through my Foundation.” Megan Bradshaw interviews Isabel Allende for Asymptote Journal.
It’s time to recognize tarot’s place in literature. Peter Bebergal writes on Jessa Crispin’s latest project, The Creative Tarot: A Modern Guide to an Inspired Life.
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.
“When we read with a child, we are doing so much more than teaching him to read or instilling in her a love of language.” Anna Dewdney, best-selling children’s author and illustrator, died this past weekend after a battle with brain cancer. Her obituary concluded with this: “She requested that in lieu of a funeral service that people read to a child instead.”