A literature-loving dad tries to make sense of the new frontier: Digital books for kids.
“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.
Say you’re the kind of person who never ends a sentence with a preposition. You’re studious about distinguishing between “its” and “it’s,” and you’re likely to judge a person who says “nauseous” when they should have said “nauseated.” But occasionally, if you’re being honest with yourself, you suspect that a lot of the grammar rules you follow are conditional or even arbitrary. Herewith, Steven Pinker offers ten rules you should break from time to time. (Related: Fiona Maazel wrote an essay for The Millions on good grammar.)
Who’s ready for a trip to Tokyo? Sadie Stein at The Paris Review breaks the lid on a veritable Shangri-La for book lovers, a quasi-bunkhouse known as Book and Bed. Book and Bed is a bunkhouse-slash-bookstore that doesn’t actually sell books. Instead, they have a number of rather spartan beds built inside row after row of bookshelves. Their noble goal is also a simple one; to offer “an experience shared by everyone at least once: the blissful instant of falling asleep while reading.”
“I had dreams about tornadoes. I dreamed of houses collapsing, people searching through rubble for dead bodies. Most of these dreams involved watching a large tornado in a field as it moved directly toward me. Like the scene early in the film The Wizard of Oz when Dorothy looks out the window and sees the tornado approaching, that sense of doom is always present in my dreams.” At the Paris Review Daily, Brandon Hobson reflects on a lifelong fear of bad weather.
For everyone who likes typography and arguments, New York Magazine has a story up that covers the type designers Jonathan Hoefler and Tobias Frere-Jones and follows the pair through their success to their ultimate rift. For those who prefer debates with more immediate impact, Mental Floss has a breakdown of the best shots fired in the fight over the Oxford Comma.