Seven weeks into the academic year, schoolwork is well under way at Detroit Public Schools. But many students—potentially thousands—are still waiting to receive textbooks.
It can be hard for critics to strike a balance between high theory and accessible prose. For James Wood, the key is to retain enough theoretical knowledge to come up with an insightful point, while still retaining the ability to write in a natural dialect. In The Guardian, he talks about his own relationship with books.
"The voices you hear when you sit down to write lead you to believe that you’re a character in the novel you’re writing even though metafiction hasn’t been invented yet." If this applies to you, you might be in a Muriel Spark novel according to Maud Newton's article at The Toast. We aren't surprised that Newton wrote this because Spark made her 2010 Year in Reading post.
Masha Gessen (who recently agreed to write a book on the Boston bombers) told a journalist in New Zealand she’s “probably” moving out of Russia. Why? “It’s one thing to bring up your kids in a place that’s risky and difficult; I think in many ways it’s enriching them, and I’m glad my kids have that experience,” she said. “It’s another thing to bring up your kids in a place that’s hopeless. “
"(The Great Gatsby) is often considered the greatest American novel of the 20th century—I waver on that sometimes but I love the beauty of its writing, its tabloid immediacy, the high body count, its modernistic touches, the relentless drama put into its novella-length form." Bret Easton Ellis's top ten favorite books doesn't include many surprises, but it's worth a look.