Anthropologist and Melville House author David Graeber‘s Debt: The First 5,000 Years should be required reading for anyone hoping to understand economic trends. The author’s book is so great and topical that it’s earned a profile in Bloomberg BusinessWeek.
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
Anonymous strikes again: On January 25th, the entity that brought us 1996’s deliciously scandalous Primary Colors: A Novel of Politics, offers a roman à clef for the Obama age: O: A Presidential Novel. Then it was Joe Klein, but this Anon. is still Anon. Perhaps better than the insider gossip: The media-fueled whodunit the novel’s sure to inspire.
Lit crit becomes a legal matter: “The contrast between the total concept and feel of the works is so stark that any serious comparison of the two strains credulity,” wrote the English judge who has dismissed the case against J.K. Rowling brought by the estate of Willy the Wizard author Adrian Jacobs. Jacobs’ estate claimed that Rowling had plagiarized elements of Willy the Wizard‘s plot in Harry Potter and the Goblet of Fire.
What if H.P. Lovecraft’s work were set in Hollywood instead of New England? At The Toast, Kevin Sharp writes Lovecraftian gossip columns. “Two very famous couples, both well known for their complicated personal lives and grand professional successes (less known, perhaps, for the horrid dark secrets that throb and scream in their antediluvian Hollywood mansions), met for a fateful dinner.”
Claudia Rakine’s Citizen: An American Lyric, which won the Book Critics Circle Award for Poetry and was included in our own list of “Nine Books for the Post-Ferguson Era,” has been adapted for the stage, and previews are beginning in Los Angeles. Graywolf, the independent press behind Citizen, The Empathy Exams and On Immunity: An Inoculation, has interviewed the playwright behind the adaptation about the project and his process. As he explains it, “what makes the book—and the theatre piece—unique is that they expose and illuminate the small, sometimes unintended, and unconscious acts of everyday racism. Subtle, insidious, soul-crushing.”