The Toast is nearing the end of its long, hilarious run. Hurry up and check out the new pieces while you still can — like this helpful guide as to whether or not you are in a Regency-era novel written after the end of the Regency, full of dead giveaways like: “There is lace at your throat and wrists and disdain in your eyes and heart.”
“[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con.” In Electric Literature‘s “Blunt Instrument” column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
J.K. Rowling’s new play will not, as everyone had imagined, be a prequel to the Harry Potter series. Instead, it will be a sequel, with the main action taking place 19 years after Harry Potter and the Deathly Hallows and focusing on Harry’s youngest son, Albus Severus. Here’s a self described “jaded, contrarian” take on Rowling and the series as a whole from The Millions.
Over at The New Yorker, Hilton Als writes about Beyoncé’s Lemonade, Prince, Cecil Taylor, Octavia Butler, and time travel. He writes, “Toward the end of the film, [Beyoncé] moves further back into the past and examines her roots, we see any number of sharply dressed women sitting in the natural world, talking among themselves. This will remind readers of that extraordinary scene in Beloved, when the elder commands those who have gathered in a clearing to love their hands, themselves—because if they don’t, who will?”