Meet Philip M. Parker, a marketing professor at INSEAD Business School and the man whose name graces the covers of over 100,000 books. Is he the most prolific author of the modern age? Well, kind of. Thanks to “a computer system that can write books about specific subjects in about 20 minutes,” Parker and his company have combined to create over 800,000 titles currently listed on Amazon – including such works as The Official Patient’s Sourcebook on Spinal Stenosis and Webster’s Icelandic – English Thesaurus Dictionary.
At the Guardian, Brian Dillon writes about great creative minds who had fertile imaginations for the maladies that befell them.
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
Thanks to the Yale Open Courses program, you can watch all 26 of Amy Hungerford’s lectures on “The American Novel Since 1945.” Also from the program, I highly recommend checking out John Rogers’ series of lectures on John Milton and Paradise Lost, as well as Paul H. Fry’s “Introduction to the Theory of Literature.”
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.