New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
Coming in March: Yet another screen adaption of Charlotte Bronte‘s Jane Eyre, directed by Cary Fukunaga. This one stars Mia Wasikowska as Jane and Michael Fassbender as Mr. Rochester. The trailer is here.
Our own Nick Ripatrazone has been on a roll lately. Apart from the many articles he’s written for The Millions, he’s got a forthcoming collection of short fiction that includes works he published in Esquire and The Kenyon Review. He also published a new poem, “South Africa, 1988,” at The Nervous Breakdown, which you can read in conjunction with his self-interview.
It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
“Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define.” Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.
“Save one life save the world, instructs the Talmud… You can’t save every life. You can’t save every book. But you can at least throw lifelines now and then.” Susan Coll writes for The Atlantic about the power of shelving and the importance of staying hopeful, no matter how gloomy publishing becomes.
With the full trailer out for the upcoming James Bond release, Skyfall, I have to confess I’m totally obsessing over British spy stuff of late. Luckily there are some supplements to scratch that itch: Tina Rosenberg’s new story for The Atavist, D for Deception, about a real British spy writer who became a spy himself; Bee Wilson’s fascinating review of Ben MacIntyre’s outrageous but true investigation of WWII double agents, Double Cross: The True Story of the D-Day Spies; Alexander Cockburn’s recap of the time George Orwell supplied “a list of the names of persons on the left who he deemed security risks” to the IRD; the story of Ernest Hemingway’s lousy espionage; and the video Her Royal Majesty’s recent skydiving escapade with 007.