Denise Donlon writes on the day MuchMusic rocked the tube. Peter Mansbridge details when baseball player Jackie Robinson broke the color barrier. And Conrad Black outlines a train trip by Canada’s first prime minister. Those are but a few of the essays by well-known Canadian personalities in the new book 100 Days That Changed Canada (HarperCollins Canada), now in stores.
In her new book, Hard-Core Romance, Eva Illouz has published the first serious, book-length academic analysis of the Fifty Shades of Grey. The critically-panned Fifty Shades trilogy, originally a Twilight fan fiction, has sold 32 million copies in the US so far. At The New Republic, William Giraldi seizes the opportunity for a brutal send-up of author E. L. James and the “dreck” she represents. "At least people are reading,” he writes, “You’ve no doubt heard that before. But we don’t say of the diabetic obese, At least people are eating.” Pair with The Millions’ essay on literary predecessors in published fan fiction.
Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell's 1946 essay "Confessions of a Book Reviewer." She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I'd add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
For close to two decades now, the Rona Jaffe Foundation has honored “women writers of exceptional talent in the early stages of their careers” with annual Writers’ Awards worth $30,000 each. This year, the winners are Tiffany Briere (fiction/nonfiction); Ashlee Crews (fiction); Kristen Dombek (nonfiction); Margaree Little (poetry); Kirsten Valdez Quade (fiction); and Jill Sisson Quinn (nonfiction). The winners accepted their awards in a private ceremony on the 19th.
Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
"History is littered with poets... who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work." Self-publishing is something we've written about many times before, but Sarah Gonnet raises a good point - self-publishing isn't truly a new phenomenon, and it does allow for a great deal of creative freedom.
A true genius is someone who’s talented and accomplished enough to work in the publishing/literary crucible of New York City, but who’s also smart enough to know that working in New York City is nothing compared to working in Key West, Florida. That’s right: the Key West Literary Seminar is hiring.