In a piece for Oxford American, Mark Edmundson has an important message for incoming college freshpersons.
We have some bad news, writers. People actually dislike creative thinking. Despite how society celebrates creativity, most people are too risk averse to appreciate it, studies indicate. What's the upside? Social rejection can bolster your creativity, but most writers probably knew that already.
"Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political." Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.
Emily Dickinson didn't get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there's controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky's eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.