Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.
“His writings rarely make it to the US, and are resolutely for an Indian readership. They will win no prizes nor inspire dissertations. But for these reasons they represent the actuality of what many people in the world are reading today, outside of the newly sanctified category of the ‘global novel.’” Ulka Anjaria for Public Books on Chetan Bhagat, “possibly the most successful Indian English novelist ever” and largely unheard of in the west. For more fictional Desi perspectives, read Aditya Desai in our own pages on reading narratives of Indian women.
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Those of you who remember the days before the advent of the word processor likely have some fond memories of using (or seeing other people using) a typewriter. At The Guardian, the Books Blog collects typewriter stories from readers. You could also read our own Bill Morris on keeping a pen pal and using a typewriter.