In conjunction with the new documentary film “The Black Power Mixtape 1967-1975” (reviewed by our own Bill Morris last week), New York’s Third Streaming Gallery will be hosting a conversation on the role of art and artists in contemporary cultural activism. The discussion will be held tonight at 7pm, and it will include Rico Gaston, Jacqueline Hoang Nguyen, Donna Murch, and Minkah Makalani.
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
Laura Hillenbrand, author of Seabiscuit and Unbroken, discusses her life with Chronic Fatigue Syndrome. “I’m looking for a way out of here. I can’t have it physically, so I’m going to have it intellectually. It was a beautiful thing to ride Seabiscuit in my imagination.”
“Morality… is a slippery slope and nowhere more, perhaps, than in regard to art, to literature, which begins as the expression of a single heart, a single mind. That it becomes more than that — connective, the fiber of a conversation between writer and reader, and between both of them and the world — is not just the point but the miracle… To frame this miracle in moral terms is to misread what art extends to us: a way of joining, for a moment only, across the void.” In an article for the LA Times, David L. Ulin considers the implications of the George V. Hunt, SJ Prize for Excellence in Journalism, Arts and Letters, which will award $25,000 to a writer “of sound moral character and reputation [who] must not have published works that are manifestly atheistically or morally offensive.”