The correspondence of Vladimir Nabokov and the critic Edmund Wilson suffered from Wilson’s inability to appreciate Nabokov’s work. But by the spring of 1950, illness had affected both men to the point where a skilled correspondent in the ways of the U.S. mail became “a panacea to pain.”
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
Among the books hitting shelves this week are Pulitzer winner and New Yorker staffer Louis Menand’s The Marketplace of Ideas: Reform and Resistance in the American University and memoirist and poet Nick Flynn’s The Ticking is the Bomb. Also new, Melville House is putting out a novella, Union Jack, by Nobel laureate Imre Kertész, and NYRB Classics has published Fortunes of War: The Balkan Trilogy a novel by Olivia Manning based on her time in Eastern Europe during World War II. Rachel Cusk provides an introduction to the edition.
I’m feeling surprisingly broken up about this: Reading Rainbow comes to the end of its 26-year run on Friday.
Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.