Last February, everyone was talking about Lawrence Wright‘s epic New Yorker profile of Paul Haggis and The Church of Scientology. But now, as The New York Times reports, the Church has released Freedom, a 51-page retaliatory glossy with DVD accompaniment.
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)
“In college, I didn’t realize I was the face of the Diaspora, the embodiment of all the women they thought I was, and who I knew I was. I was from Africa, east and west, a sojourner through the islands of the Caribbean, a daughter of the Second Great Migration of African-Americans from South to North. Perhaps Chaka said it best—to these young men, I was ‘every woman.’ To airport security, I was that woman. The one to be stopped and searched. The one who was suspect. A long-lost daughter whose lineage crossed through Kush—was I carrying Kush now, perhaps, in my hair?” If a ‘Pat-downs, Pissing, and Passport Stamps’ headline isn’t enough to get you to read this great piece from The Literary Hub, hopefully the quote will do.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.