For the past 17 years, the Rona Jaffe Foundation Writers’ Award has celebrated “six women writers who demonstrate excellence and promise in the early stages of their careers.” This year’s winners are Melanie Diane (poetry), Apricot Irving (nonfiction), Fowzia Karimi (fiction), Namwali Serpell (fiction), Merritt Tierce (fiction), and JoAnn Wypijewski (nonfiction). They will accept their awards on September 22 in New York City.
Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.
Is it possible to read fiction by an actor without thinking of them as the character that made them famous? It’s a question many people asked when reading James Franco, and it’s a question they’re likely to ask again when reading One More Thing, a new book of short stories by The Office star B. J. Novak. At Open Letters Monthly, Justin Hickey reviews Novak’s collection.
At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children’s book by Mark Twain. See also: our consideration of Twain’s self-deprecating travelogue The Innocents Abroad.