Philip Esler’s new book Sex, Wives, and Warriors: Reading Biblical Narrative with its Ancient Audience, reintroduces our culture to some of the Bible’s most dramatic narratives.
Reading Biblical Narrative
Very Secret and Odd
Recommended Reading: Søren Kierkegaard and Anna Akhmatova overheard whispering on a stairwell.
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Tuesday New Release Day: Millhauser, Matar, Shakar, Fuller, Chez Panisse
Steven Millhauser’s new collection We Others is out this week, as are Hisham Matar’s Anatomy of a Disappearance and Alex Shakar’s Luminarium. Here at The Millions, Shakar recently offered the harrowing story of the publication of his first novel. Alexandra Fuller has a new memoir out. Cocktail Hour Under the Tree of Forgetfulness. and foodies are celebrating with 40 Years of Chez Panisse: The Power of Gathering.
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Hallberg Podcast
Our own Garth Risk Hallberg did a podcast with Three Percent, a “resource for international literature” at the University of Rochester.
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Putin Wins the World Cup
“Putin, like Hitler, understood that the purpose of spectacles is to dazzle the eye while clouding the mind.” For the Daily Beast, staff writer Bill Morris writes about the thuggish dictators who love the propaganda of the World Cup. (If you haven’t already checked out our list of seven great soccer reads, do it now!)
Kid-Friendly
Masha Gessen (who recently agreed to write a book on the Boston bombers) told a journalist in New Zealand she’s “probably” moving out of Russia. Why? “It’s one thing to bring up your kids in a place that’s risky and difficult; I think in many ways it’s enriching them, and I’m glad my kids have that experience,” she said. “It’s another thing to bring up your kids in a place that’s hopeless. “
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Shakar’s Story Continues
The Observer picks up Luminarium author Alex Shakar’s narrative where his piece here at The Millions left off. (via @sarahw)
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Genuinely Weird
Jeff Vandermeer‘s Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful “glimpse of a whole that’s, by its nature, unknowable”? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.