This week I linked to one poet’s concerns about the top MFA programs ranked in Poets & Writers. Now, a pretty impressive list of creative writing instructors have some questions for Poets & Writers itself.
“As a literary symbol portraying man’s tragic nature, is any more compelling than a gun? A gun lets fear become death, quiet desperation become brutality whose fallout others are forced to deal with.” Over at The Literary Hub, a list of 10 novels that follow Chekhov‘s famous dictum, literally. Might we also suggest our own Emily St. John Mandel‘s The Singer’s Gun?
If you have aspirations of the literary sort, I strongly recommend Dan Wickett’s interview with “founders, editors and managing editors of 8 Literary Journals of varying age and size.” And you should also look at the latest posts at Mad Max Perkins’ Book Angst in which hears from editors and publishing industry types about “the true meaning of midlist.”
Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)
The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
If I had been near enough to a computer and had enough time to blog over the last month, I probably would have talked about Nicholson Baker’s new book, Checkpoint. I haven’t read it, so I can only comment on the reactions that I have seen to the book. Most have been negative. The book is about two friends who are sitting in a hotel room having a conversation. One character wants to assassinate President George W. Bush, the other is trying to talk him out of it. The subject matter alone seems to come from a desire to create controversy, and though Baker and his publisher have gone out of their way to condemn violence, Baker has said that he was motivated by his own personal anger to write the book. If you ask me, controversial subject matter + short book (115 pages in this case) + rush to press = literary publicity stunt, and many, including the New York Times agree.Readers of fiction looking for a weekly dose and writers of fiction looking for an audience should check out Weekly Reader, a little website that delivers a story to your inbox every week.Poaching two great links from Arts & Letters Daily: Jonathan Yardley loves Hunter S. Thompson’s new collection of pieces from ESPN.com’s page 2, Hey Rube; and Tibor Fischer discusses the current slate of Booker hopefuls.