This week I linked to one poet’s concerns about the top MFA programs ranked in Poets & Writers. Now, a pretty impressive list of creative writing instructors have some questions for Poets & Writers itself.
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.
Adorable pictures of baby hippos aside, it’s a common misconception that animals are “smiling” at you out of sincere happiness. Probably you’re projecting that onto them, writes Lee Dye in a piece from 2010. For more on the perils of assigning human qualities to other animal species, I highly recommend checking out Jeffrey Moussaieff Masson and Susan McCarthy’s When Elephants Weep.
For the past 17 years, the Rona Jaffe Foundation Writers’ Award has celebrated “six women writers who demonstrate excellence and promise in the early stages of their careers.” This year’s winners are Melanie Diane (poetry), Apricot Irving (nonfiction), Fowzia Karimi (fiction), Namwali Serpell (fiction), Merritt Tierce (fiction), and JoAnn Wypijewski (nonfiction). They will accept their awards on September 22 in New York City.
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri’s In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
“Their deliberately childless life, their cat, Converse (named not for the shoe but for the political scientist), their free-range beef and nights and weekends of reading and grading and high-quality television series—it was fine and a little horrible. She gets it.” It shouldn’t take much convincing to get you to go and read some new fiction by Curtis Sittenfeld, Gender Studies, over at The New Yorker.