Selections from Open Yale Courses are headed to print. As program director John Donatich explains, “At first glance, you might look at it skeptically and ask why would anybody pay for something that you can get for free. But on second glance you realize that it’s actually not the same thing at all.”
Between Page and Screen is a collaboration between book artist and poet Amaranth Borsuk and programmer Brad Bouse that experiments with the border between regular old reading and e-reading. The text is rendered in a code that requires the aid of a web cam to unlock its sentences. The work’s creators have been interviewed at imprint.
For The Guardian, Rafia Zakaria writes on the new wave of confessional “feminist” memoirs. As she puts it, “We’re on an uncomfortable tightrope between a bold new dialogue about women and sex, and the monetisation of that conversation by powers that recognise that as a gap in the market.” Pair with this Millions essay on feminist pop anthems.
“Genius” is a loaded term. Its application usually says more about the person making the judgment than it does about the genius in question. In The Guardian, Sophie Hannah argues that the term isn’t used enough to describe one writer in particular: Agatha Christie. You could also read Daniel Friedman on the terrible secret of all crime fiction.
Claudia Rankine’s new book of poetry, Citizen, is getting a lot of attention in part due to its meditations on race in modern America. In the latest issue of BOMB, Lauren Berlant interviews the poet, asking her about micro-aggressions, Kara Walker and the implicit tone of the word “citizen.”