“Did Vladimir Nabokov’s novels anticipate trends in modern psychology?” (via Maud Newton). Well, they certainly anticipated advancements in the evolutionary theory of butterflies.
I’d heard that the New Yorker excerpt was the opening of Jonathan Franzen’s new novel Freedom, but it turns out it is preceded in the novel by this: “The news about Walter Berglund wasn’t picked up locally–he and Patty had moved away to Washington two years earlier and meant nothing to St. Paul now–but the urban gentry of Ramsey Hill were not so loyal to their city as not to read the New York Times. According to a long and very unflattering story in the Times, Walter had made quite a mess of his professional life out there in Washington. His old neighbors had some difficulty reconciling the quotes about him in the Times (‘arrogant,’ ‘high-handed,’ ‘ethically compromised’) with the generous, smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up Summit Avenue in February snow; it seemed strange that Walter, who was greener than Greenpeace and whose own roots were rural, should be in trouble now for conniving with the coal industry and mistreating country people. Then again, there had always been something not quite right about the Berglunds.”
Whether or not you believe that Oxford University Press is “the largest, most diverse and most respected university press in the world,” you’ll appreciate this review of a new history of the company, which goes through OUP’s origins, its relationship with its namesake and the opening of its New York office in 1896.
“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.