Miranda July’s advice to high school girls (and feminists everywhere).
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
There’s been a lot of discussion about self-publishing books, but what about crowdfunding? Online publisher Unbound is proving it could work and has already raised over £1 million and funded 54 books. The model itself couldn’t really be any simpler – “the author pitches an idea and if enough readers support it, the book goes ahead. Once it has been printed, the book’s net profits are then split 50/50.”
In 1993, River Phoenix was working on Dark Blood, an independent film that was supposed to be the underdog surprise of the year. But when Phoenix died three weeks before shooting was supposed to wrap, the project stopped in its tracks. Now, almost 20 years later, the original director and editor are piecing the bits together, and they plan on screening it at the Netherlands Film Festival in September.
“When someone asks me how I know someone and I say ‘the Internet,’ there is often a subtle pause, as if I had revealed we’d met through a benign but vaguely kinky hobby, like glassblowing class, maybe. The first generation of digital natives are coming of age, but two strangers meeting online is still suspicious…” Ah, the halcyon days of 2004 and internet anonymity.