The devastating images of Syria shot by Franco Pagetti have been collected into a series entitled Veiled Aleppo. Over at The New Republic, Geoff Dyer writes about one of them. It’s an image, Dyer observes, that features “symbols … of the death throes not of a city but of film.”
You'll have to read this Curiosity to believe it! The surprise bestselling Time-Life series was wildly popular in the late 80s–but why? The answer is a bit less mysterious than one might have hoped. As a consolation, here’s a related essay from The Millions on conspiracy literature.
If you thought Michel Houellebecq was controversial, let me direct your attention to Kenneth Goldsmith. In this piece, the poet that everyone loves to hate asserts his desire “to take Walter Benjamin off the pedestal and on to the coffee table.” His newest, Capital, is out now.