A group of male librarians is “attempting to overthrow the cliché of the bespectacled, permanently shushing female library worker” with the publication of a Calendar Girls-style calendar, Men of the Stacks.
Men of the Stacks
Reading by Halves
Over at Electric Literature, Lincoln Michel wonders "What's Wrong with Only Reading Half a Book?" Pair with our own Sonya Chung's essay on her list of unfinished reads and the art of "breaking up with books."
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A Man in Monte Carlo
It will take you longer to read this Curiosity and click through to its attached link than it would for you to simply read Anton Chekhov’s shortest-ever short story in its entirety.
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Tiny Worlds
Recommended Reading: On the great depth and detail of tiny worlds in Ploughshares. An example of these worlds, The Tiny Book of Tiny Stories takes short fiction "to the extreme."
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Not the Same
“While we’re sad to discontinue the print edition of Print Lovers Magazine, we’re very excited to see how the advantages of digitizing will benefit our publication. First and foremost, going web-only will bring about a whole new world of ad sales opportunities, making it easier to fund this publication that we cherish so dearly. Additionally, by discontinuing the print edition of Print Lovers Magazine, we’re going green!”
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Tuesday New Release Day: Zambra; Close; Hatton; Rathbone
Out this week: Multiple Choice by Alejandro Zambra; The Hopefuls by Jennifer Close; Monterey Bay by Lindsay Hatton; and Losing It by Emma Rathbone. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
The case against writing manuals
In The Atlantic, Richard Bausch makes a case against writing manuals: "The trouble of course is that a good book is not something you can put together like a model airplane."
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Rounding Out Frost’s “Monster Myth”
Over at the New York Times, Jennifer Schuessler previews a forthcoming collection of Robert Frost’s correspondence. It’s a collection, she says, that will go a long way toward rounding out the flat “monster myth” that’s subsumed the poet’s afterlife.
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