Kenneth Branagh and David Tennant star in an eight-hour dramatization of Life and Fate by Vasily Grossman. Completed in 1960, and centered around the bloody battle of Stalingrad, the novel was deemed so dangerous by the KGB that the book itself was arrested. BBC’s excited, and all the episodes are available to download.
Also the name of a beautiful book of poetry by Jake Adam York, a group of starlings is known as a “murmuration.” One could make the case that the birds are America’s most literary. Each of the hundreds of millions of European starlings currently inhabiting North America is a descendant of the approximately 100 birds released in New York City’s Central Park in the early 1890s. They were released by a society intent on populating America with each of the birds mentioned in Shakespeare’s plays.
“We can work harder to mourn, get better at it, connect it better to how we live, how we care for people, how we educate people. It’s politics, for me.” ZYZZYVA interviews Max Porter about his Grief Is the Thing with Feathers. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
“All of your life, you think of that one fluid motion of power, terrorized by the fact we are capable of such collisions, such harm, such leveling of each other to flattened mountains, left to tunnel into ourselves, such wretched unhappiness, such unfathomable cruelty unless resurrected by the tenderness and affection of a lover, by kisses that leave us enthroned.” Major Jackson is next up in the Kiss series from Guernica Magazine — a weekly column which investigates that most intimate of human interactions, the kiss, in all its many manifestations.
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
“You couldn’t say, no, this is actually a president, this is exactly how a leader ought to talk and reason, because even with the uhs and ums cleaned out and the spoken sentences made to look like written ones, Trump’s discourse isn’t coherent.” Linguist Michael Erard for The Awl on reading Trump’s transcripts.