The deadline for DIAGRAM‘s essay contest is October 31, but mostly I just wanted an excuse to link to previous winner Cheyenne Nimes‘ “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.“
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov‘s Speak, Memory and considers “the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order.” Pair with our own Garth Risk Hallberg‘s piece on reading Ada, or Ardor.
“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
Just because Beowulf‘s influence on Tolkien isn’t news doesn’t mean the publication of J.R.R. Tolkien‘s translation of the epic poem this week isn’t exciting. But while Tolkien’s name alone may be enough for the serious fan, Ethan Gilsdorf at the New York Times has given general readers an introduction to the history of the new translation complete with some insight into Tolkien’s love of the epic poem.
Year in Reading alum Chang-Rae Lee has a new book out this week, and its cover is making headlines. Readers who buy the limited edition of On Such A Full Sea will get the first 3D printed book cover in publishing history. According to the printers, each cover took fifteen hours to make.
This past week saw the release of the final volume in Holy Soul Jelly Roll: Poems & Songs 1949-1993, a collection of recordings—some of which never before released—by Allen Ginsberg. This volume contains the “stunning 1956 Berkeley Town Hall reading of Ginsberg’s seminal poem ‘Howl.’” The volumes are for sale on iTunes, but you can also listen to an “8 song sampler” over on OpenCulture for free.
“For the first half of a new book, maybe you want your back against the wall. Gunslinger style. Nothing can sneak up on you except your own bad sentences,” Colson Whitehead said. He and four other authors discussed where they like to write in The New York Times. Bonus: See where our writers work.