Hugh Grant is the latest actor to join the cast of the move adaptation of David Mitchell‘s Cloud Atlas.
Hugh Grant in Cloud Atlas
Version Control
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.
●
●
Reading Lolita on Tumblr
“[I]t becomes an act of subversion, an act of catharsis.” Plougshares has a piece about the Lolita aesthetic on Tumblr. See also: our conversation with John Gall who, as art director for Vintage and Anchor books, was responsible for at least two Lolita covers, not to mention the redesign of the entire Nabokov catalog.
The King of Horror’s Poetry
“Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language.” In Poetry Foundation, an essay about Stephen King‘s little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King’s novels.
The Graveyard Movie
Neil Gaiman’s 2009 Newbery medal winner, The Graveyard Book, was originally supposed to be adapted into an animated film. Now, however, it looks like Ron Howard might take the project’s reins and shoot it in live action.
Tuesday New Release Day: Marías; Nao; Lawson; Murray; Luce; Hoffman; Ashbery
Out this week: Thus Bad Begins by Javier Marías; Fish in Exile by Vi Khi Nao; Virgin and Other Stories by April Ayers Lawson; Valiant Gentleman by Sabina Murray; Pull Me Under by Kelly Luce; Faithful by Alice Hoffman; and Commotion of the Birds by John Ashbery. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
●
●
Gonzo Film Crit at Gizmodo
At Gizmodo, the art of the Comcast movie summary. (My favorite is The Seventh Sign, though I Know Who Killed Me –an unforgettable piece of so-bad-its-good filmmaking–runs a close second.)
●
●
Tuesday New Release Day: Smith, Jones, Jemc, Dancyger, Marantz
Zadie Smith headlines a new week of new books, including essays by angry women and an excellent exploration of the rise of the online alt-right.
●
●
●