NYC-area readers are invited to an event this Friday centered on the topic of marketing literature in the age of Gawker. At 7 p.m. I’ll be moderating a panel discussion that includes novelists Fiona Maazel and Tao Lin, literary agent Erin Hosier, and Christopher Kolouris of the website Scallywag & Vagabond. The event, which doubles as a launch party for Canteen magazine’s “Hot Authors” issue, also features two bands, a DJ, and an open bar. More info at 3rd Ward.
“Four years after first announcing the decision to open the prize to Americans, the Booker is virtually indistinguishable from its competitors. It is exactly what many feared it would become: corporate and daft.” Alex Shephard writing for The New Republic about why the Man Booker Prize isn’t interesting anymore. Still, should you want to know who’s shortlisted this year, here’s our roundup.
“Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.
According to the New York Post, a new installation by British artist Antony Gormley–life-sized, cast iron sculptures of men placed on rooftops and building ledges around the city–has caused some New Yorkers and NYPD officers to take the sculptures for live jumpers. Oh, the price of art!