A couple months ago, Melville House published a biography of Roberto Bolaño, constructed from interviews the author gave throughout his life. At Full-Stop, Andrew Mitchell Davenport reads the biography, suggesting that the preponderance of myths about the author “makes elucidating Bolaño’s biography a moral issue.” Pair with: our own Garth Risk Hallberg’s Bolaño syllabus.
Yesterday marked eight years since a devastating earthquake struck Haiti and a few days ago Trump put the country back in the news (but not in an reflective or uplifting way). Looking to learn more about Haiti sans racist rhetoric? The New York Times has "three books by Haitian writers that provide insight into the country’s history of struggle and resistance." Find the list here.
Actor and humorist Nick Offerman at "By The Book" on choosing George Saunders to write his hypothetical life story: "I think [Saunders] would embarrass me by telling the justifiable truth, but with such élan that I would have to shrug and say, 'It was worth it.' If anybody could pull it off, I believe Mr. Saunders would have the tools and talent necessary to render the woodshop traumas of sandpaper and spokeshave, the roller coaster dynamics of a character actor’s life in showbiz, and my relentless penchant for filling a room with noxious gases into a palatable narrative. George — if you’re reading this and you’re up for it — before you dive in, I would just like to say that I think you’re very handsome."
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book's designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.