F. Scott Fitzgerald reads from Othello (via The Missouri Review), John Keats, and John Masefield.
F. Scott Fitzgerald on YouTube
Let the Rain Kiss You
"The half-stripped trees / struck by a wind together, / bending all, / snapping before the power of… / thundersnow? / Oh shit, do you see that? / Thundersnow!" It's safe to say that William Carlos Williams would have been blown away by thundersnow. Here are a few other classic poems helpfully reimagined for the climate change age.
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Writing While Ill
"[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con." In Electric Literature's "Blunt Instrument" column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
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ROOSTER!
Did you forget that The Morning News Tournament of Books starts today? If so, I bet you're glad you saw this reminder. Have fun.
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A Tale of Two Daredevils
In The Guardian, our own Mark O'Connell reviews TransAtlantic, the new novel by Year in Reading alum Colum McCann. If you'll recall, we featured the book in our Great 2013 Book Preview.
Making Connections
Books by Friends, a semi-regular feature at The Atlantic, sees writer James Fallows recommend the works of authors he knows. This week, he praises a book on the history of flight, a prediction for the economy and a jeremiad on American politics by Gary Hart. You could also read our own Kevin Hartnett on Fallows and American decline.
Lavisium
Lord Byron is perhaps our most prominent example of an extravagant writer in a bygone age. There’s a reason his antics earned him a popular adjective. However, he’s not the only writer from long ago to live large, as made clear in this New Yorker piece by Elizabeth Kolbert -- inspired by the release of two new biographies -- that deals with the up-and-down life and reputation of Seneca. Sample quote: “Seneca’s fortune made possible a life style that was lavish by Roman or, for that matter, Hollywood standards.”
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The Materialist
Object narrative (n): a story told through meditations on various physical objects. Examples include Edmund de Waal's The Hare with Amber Eyes; Neil MacGregor's A History of the World in 100 Objects; and Paula Byrne's The Real Jane Austen: A Life in Small Things.