“For American readers, literary evocations of Korea have come, for the most part, in the form of dystopian novels written by people without any direct connection to the country.” Ed Park on reading Dalkey Archive Press’s series Library of Korean Literature, launched in collaboration with the Literature Translation Institute of Korea.
David Remnick’s biography of President Obama, The Bridge is out. (The Times explained how Remnick finds time to run the New Yorker and write a 700-page biography of a sitting president.) Also new: Another chronicle of the collapse, The End of Wall Street by talented financial journalist Roger Lowenstein; Nobel laureate Jose Saramago’s “blog book” The Notebook; another in the posthumously published oeuvre of Irène Némirovsky, Dimanche and Other Stories; the latest from A.L. Kennedy, What Becomes; and Tom Rachman’s touted debut The Imperfectionists.
Francis Spufford’s fictionalized book Red Plenty looks to the 1950s-1960s “cybernetics” initiative to answer one of the main questions about the USSR: “Could the Soviet project to build communism have succeeded, or was it doomed to failure from the start?” In his review for The Hoover Institution, Marshall Poe contends the latter.
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
“At the outset, Nair is in Sierra Leone to keep tabs on his old friend and uses the occasion to practice a little freelance extortion, stealing unspecified multinational secrets on a flash drive and sending them back to his girlfriend in Amsterdam. The first 50 pages are like a Johnsonian take on Graham Greene’s humid morality-play potboilers. Nair keeps meeting shifty European acquaintances and distrusting everything they say.” John Lingan reviews Denis Johnson’s new novel.
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”