Even if you’ve already seen the outstanding documentary Wordplay, you’ll still want to check out this Atlantic article on how Will Shortz makes his New York Times crossword puzzles.
The man who designed Brazil’s famous canary-yellow jersey at age 19 won’t wear it–and not out of charming self-effacement. It’s just that “the shirt is not a symbol of Brazilian citizenship. It is a symbol of corruption and the status quo.” And that he happens to support Uruguayan fútbol.
Chief among your more anxiety-producing kinds of literature is the genre of books geared towards expectant mothers. Examples of the genre offer every bit of advice imaginable — much of it contradictory — and condemn a laundry list of relatively common behaviors. At Salon, our own Lydia Kiesling recounts her own dive into the pregnancy-lit waters. This might also be a good time to read fellow staff writer Edan Lepucki on the perils of reading while expecting.
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
The Skinny is acclaimed author Susan Orlean’s strangest work, hands down: a half-serious diet book that advises women, among other things, to cover tempting food with bleach. Not one to follow her own advice, Orlean’s diary of a week of eating for Grub Street features yogurt breakfasts, crackers eaten over sinks, and other basically realistic, bleach-free culinary adventures.
Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: “That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential.”