Millions favorite J. M. Coetzee analyzes “the angry genius” of Les Murray for The New York Review of Books.
Coetzee on Murray
A Necessary Evil
Is the system rigged? Aaron Bady at The New Inquiry discusses the inherent evil of the canon and the general problem with lists. For more on why we care about literary awards in the first place, here is Mark O’Connell from The Millions.
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Devouring Fiction
For her project Fictitious Dishes, graphic artist Dinah Fried whipped up five iconic meals from famous novels.
A Public Private Experience
“[S]he and her sister should not be affected by the riot. Riots like this were what she read about in newspapers. Riots like this were what happened to other people.” The Guardian runs ‘A Private Experience,’ a short story from Year-in-Reading alum Chimamanda Ngozi Adichie.
96 Years Later
“Her storytelling is magical and profound, creating connectivity between people and places: a signal of hope at a particularly divided moment in time.” Joining the company of Margaret Atwood, David Mitchell, and Sjón, Turkish novelist Elif Şafak has been chosen as the fourth contributor for The Future Library Project. Şafak’s novel, Three Daughters of Eve, was featured in the second-half of our 2017 Great Book Preview.
“The closest analogy for me is Woody Allen”
Following in the footsteps of Amy Poehler, The Office star B.J. Novak has signed a book deal with Knopf. Unlike Poehler, who plans to write a memoir, Novak will publish a collection of comedic short stories.
“It’s a stirring moment, and then it’s finished.”
Recommended Reading: Kate Sweeney explores the business of environmentally-minded deep sea burial, which is offered by companies such as Georgia’s Eternal Reefs.
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Run (and Write) Like the Wind
“But writers and runners know that when you settle into a long-distance run or hit your stride with the work, something other than your body takes over.” For LitHub, our own Nick Ripatrazone writes about the similarities between long-distance running and writing. Pair with: an essay on the poetics of running.
The Spy Who Saved Me
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation — was the author simply having a midlife crisis?
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