“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books’ content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
Los Angeles Review of Books managing editor Evan Kindley reviews Michael Szalay’s Hip Figures: A Literary History of the Democratic Party, and says it “reminds us of a time, not long ago, when literary intellectuals set great store by mainstream political parties, and vice versa.”
Accusations of plagiarism – the real kind, which is not to be confused with “self-plagiarism” – just keep following Turkish writer Elif Şafak, don’t they? Lydia Kiesling previously reported on the fiasco around her book Iskender last August, but now more allegations are surrounding the cover art on Şafak’s latest novel, Şemspare.