Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”
Asterix Co-Creator Retires
Taming the Land
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
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No Wonder They Spend More Time, Then
Are these two statistics linked? According to a Pew Internet Libraries study, 30% of those “who read e-content say they now spend more time reading,” and according to studies cited on CreativePro, people can read printed text read “25% faster than on-screen text.”
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Tuesday New Release Day: Volodine; Norwich; Gonzales; Nganang; Brooks; Ulin & Kolsby
Out this week: Bardo or Not Bardo by Antoine Volodine; My Mrs. Brown by William Norwich; The Regional Office Is Under Attack! by Manuel Gonzales; Mount Pleasant by Patrice Nganang; The Houseguest by Kim Brooks; and Ear to the Ground by David L. Ulin and Paul Kolsby. For more on these and other new titles, go read our Great 2016 Book Preview.
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The Good Kind of Bad
In a Simpsons episode from the late nineties, Lisa Simpson, concerned that her mental skills may be deteriorating, manages to finagle her way onto a local TV news broadcast, where she urges the residents of Springfield to read two books: To Kill a Mockingbird and Harriet the Spy. At first glance, the two novels might not seem to have that much in common, but as Anna Holmes argues in a blog post for The New Yorker, the books share “ideas about the complexity, sophistication, and occasional wickedness of young girls’ imaginations.” (You could also read our own Garth Risk Hallberg on Malcolm Gladwell and To Kill a Mockingbird.)
Clickity Clack
Where did Modernism come from? Did it spring from the alienation engendered by the nineteenth century? Or did it spring instead from — as Hannah Sullivan argues in her new book, The Work of Revision — the typewriter?