Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”
Asterix Co-Creator Retires
A person should not be a dud avacado?
At the helm of The Paris Review‘s advice column this week, Sasha Frere-Jones describes Sheila Heti‘s How Should a Person Be ? as the inverse of Elaine Dundy‘s The Dud Avacado.
Remembering Ray Bradbury
A moving tribute to Ray Bradbury on The Paris Review Daily from his one time fact checker Stephen Andrew Hiltner: “Ray Bradbury, who never went to college and was entirely library educated, had what so many of the sophisticated, MFA-carrying writers today lack: passion, vitality, emotional awareness.” Also: Wired has collected a bunch of reminiscences from science fiction writers, including Ursula K. Le Guin.
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“Publish for readers, not authors.”
OR Books recently announced a forthcoming book from Wikileaks founder Julian Assange. Meanwhile, OR’s publisher, Colin Robinson, shares ten ways to “save the publishing industry.”
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Could the internet save book reviews?
Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
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Adventures in Surrealism
Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
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Genç On Teoman
Kaya Genç, who’s previously written for us about Orhan Pamuk, has a new article out in Guernica about deceased filmmaker Seyfi Teoman, “whose two feature films,” he writes, “drove Turkish film for two decades.”
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Dog Days in Tehran
Azadeh Moaveni writes about what it was like to own her dog, named London, in Iran: “Most Turks, like most Iranians, recoiled from dogs as though they were grotesque vermin; only ‘guard’ dogs, charged with protecting humans and their goods, were deemed less offensive, though still repellent.” To Moaveni, it was like cultural rebellion.
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